art, drawing, illustration, inspiration, sketching

Lake District Travel Journal & Inktober

So over the past 3 months or so I’ve been trying to get back into the habit of sketching every day (which technically I have been doing, as part of my continuing effort to turn my illustrations into something I could actually call a ‘job’), but it turns out going away sends my brain into a ‘yes-I-can-draw-for-fun-for-no-particular-reason’ kind of overdrive. (Which is how I ended up filling up a whole sketchbook over the course of a 2 week holiday in france in the summer- a level of drawing productivity I’ve never quite achieved before.)

So it was that when I went into the art shop just before we came away this week I bought myself a new travel sketchbook (more in hope than expectation) but 2 days in and it already seems to be working. Well, it could be the sketchbook, (an A6 thing of beauty with open flat pages, a super soft black velour cover, elastic to keep it closed, little pockets and a place for a pen…ok, ok, I admit, I have a thing for new sketchbooks, but come on, I can’t be the only one, right?!) 

Sorry, back to the point- my sudden sketching addiction could be down to wanting to use the sketchbook, or it could have something to do with the super inspiring landscapes, architecture and pretty much everything that makes up the Lake District. 
Either way (and this really was the point of the post, honest!) over the course of the next week I’m hoping to make the most of my drawing bug and gather as many sketches as I can (and unlike the last sketchbook, I’ll try to post as much as I can on here). 

Finally, having completely missed Inktober last year, and coming to the party a bit late this year I’m going to try and get in as many ink sketches as I can. So, here you go, these are the first 6 scribbly sketches from my first 2 days up here (5 ink and 1 sneaky pencil sketch):

Advertisements
art, drawing, illustration, inspiration, sketching

Back to Basics

Over the last few months I’ve been working at improving my digital painting skills, and quite often I would find myself thinking ‘how would I do this if I were using traditional media?’ And particularly when Photoshop was on the go-slow I would think ‘Could I just do this quicker by hand?’ But at the weekend I went for a walk on the beach, and the sky was so dramatic, the lighting was just awesome, and I just got that ‘I have to draw this’ kind of feeling.

So, when I got back, armed with a good number of reference photos I sat down and started to thumbnail a few different compositions, and then having seen one photo that caught my eye I just got out my water soluble pencils and started to draw. And as I drew I felt so much more connected to what I was doing, watching the image evolve in front of me (without constantly zooming in and out and waiting while the brush strokes on the screen catch up with the pen in my hand). I found that I’d really missed it. But the interesting thing is, I also found myself thinking ‘how would I do this on photoshop?’ ‘What kind of rendering style would I go for here?’ It’s like switching between digital and traditional really made me think about the basics all over again. Having not completed a piece traditionally for probably over a month it was like starting all over again. Now I know these aren’t the greatest sketches I’ll ever do, but the best thing is,┬ádespite the differences between digital and traditional, swapping between the two has really made me think about what it is I’m creating, and between them, they’ve helped push and improve my drawing skills as a whole.

Beach B&W 2

Watersoluble pencils

Beach colour

Watersoluble pencil and inktense blocks & pencils